31 | MIS2013 REPORT Infographic |
31 | Measuring the Information Society. |
34 | A day made of glass |
34 | A day made of glass – 2 |
34 | Productivity Future Vision (Microsoft) |
34 | Samsung Future Tech |
34 | The Walk |
34 | Zombies, Run! |
34 | Transmedia in Education |
34 | Bluescape |
35 | Smart Window |
35 | iWatch – a future concept |
35 | Displair |
35 | Enrichir les interactions (Ikea) |
35 | Augmented (hyper)reality : Domestic Robocop |
35 | Google Glass |
36 | Shard |
36 | A to B |
36 | The World According to Glass |
36 | Sight |
37 | Here's to Humanity (Cisco) |
37 | Talking Shoe |
37 | BitLock |
37 | Vanhwaks |
37 | Syrmo (skate board) |
37 | Qbox |
37 | Nest |
37 | Neur.io |
38 | The Agency of Trillions |
38 | Good Night Lamp |
40 | une planche de bande dessinée (Pénélope Bagieu) |
41 | The Expert |
41 | Twitter faster than earthquakes |
42 | Internet Archive |
44 | AirBnB |
44 | Yo Hackaton |
45 | 3Doodler |
46 | The Stolen Scream (Noam Galai) |
48 | Why videos go viral |
48 | What's it like to get 7m views on your YouTube video? |
49 | The Adventures of Tintin |
51 | Samsung SMART TV – Angry Birds |
51 | Xbox SmartGlass |
52 | Chromecast |
52 | [PLAiR] How to beam videos from laptops |
52 | Google TV |
52 | Fan TV |
53 | GEITF 2013 – MacTaggart Lecture 2013 |
54 | Why TV Networks Are Interested in Adapting Online Series Again |
55 | Ruby Skye P.I. |
55 | Cuckoo |
56 | Why DeVanity Matters |
56 | Milgram and the Fastwalkers |
56 | The Crew |
57 | Notre entretien (Tony Napolitano – The Crew) |
57 | United, we are reinventing Media |
63 | Amazon Studios |
63 | Piggy Tales (Rovio) |
63 | Smapp (application Stillmotion) |
65 | Tokyo (YouTube Space) |
65 | YouTube Creator Preview |
66 | Youtube, le streaming et les indépendants. |
66 | Sur son blog (production de films – Kickstarter) |
67 | article de juillet 2012 du Guardian (Kickstarter éditeur) |
70 | The BBC's digital strategy |
70 | CBS Makes Up to 20% More Ad Revenue Online Than TV per Viewer: Research Chief |
71 | Small Ideas, Big Payoffs |
72 | Social Resilience in Online Communities: The Autopsy of Friendster |
73 | Twitter - Connect & Discover |
74 | Jelly |
76 | Code Social ChezNous |
77 | webdocumentaires (Le Monde) |
96 | Most of Your Ad Revenue is Generated by a Small Percentage of Your Visitors |
96 | The Social Break-up |
97 | Fake friends with real benefits |
97 | Facebook Fraud |
98 | l’interview (Matt Timothy: President of VINDICO talks Viewability) |
99 | Mesure de l’audimat: une méthode hasardeuse |
99 | A sitcom to remember |
102 | We Have No Idea If Online Ads Work |
102 | On the Near Impossibility of Measuring the Returns on Advertising |
104 | Social Media Revolution (socialnomics Erik Qualman) |
104 | There’s Power in All Those User Reviews |
104 | Market research can no longer predict what consumers will like |
105 | Insights (Rapport Annuel 2013 de Vindico) |
106 | The Future of Television (Neil Hunt, Netflix) |
106 | Playmute: The world’s first TV ad switcher ! |
107 | Meaningful Brands |
113 | Global Video Index Q4 2013 (Ooyala) |
113 | Multi-tasking and Taking Control – Winning the trust of the sophisticated consumer (Accenture) |
113 | Recul historique de la durée d’écoute de la télévision
|
117 | Original Digital Video Consumer Study (IAB / GFK) |
118 | InAir Introduction |
118 | fuffr.com (présentation vidéo) |
128 | Page de statistiques de Kickstarter |
128 | Gestion et financement du Centre national du cinéma et de l’image animée (CNC) |
128 | Pourquoi tu m'aides |
129 | Copie Privée, le vrai préjudice des consommateurs français |
129 | Rapport de la Cour des comptes sur les aides de l’État à la presse écrite |
130 | Montants d’aides pour les 200 titres de presse les plus aidés |
133 | You Are Not Late (Kevin Kelly) |
133 | Brain Power: From Neurons to Networks |
134 | Digital Natives, Digital Immigrants |
135 | Facebook, plus puissant qu'un pays ? (Jérémie Zimmermann – la Quadrature du Net) |
139 | Why Twitter Is A Recruiter's Secret Weapon (And How To Use It) |
140 | Detecting Emotional Contagion in Massive Social Networks |
141 | We are visible |
142 | Saved a bookstore with a Tweet (Twitter Stories) |
142 | Thunderclap |
143 | The Innovation of Loneliness |
144 | The Problem With Facebook |
145 | Why Is Facebook Page Reach Decreasing? More Competition And Limited Attention |
145 | Free is a lie |
145 | Indie Tech Manifesto |
145 | Indie Launch Video |
147 | Adobe Marketing Cloud |
151 | Projet Cascade (Project Cascade - NYTimes) |
152 | Intelligent Content: Soon your media will know you better than you know yourself |
153 | Personality, Gender, and Age in the Language of Social Media: The Open-Vocabulary Approach |
154 | Twitter: A Good Place to Detect Health Conditions |
158 | |
158 | statement of purposes (National Public Radio Purposes, 1970) |
159 | Bill Siemering: Public Radio Pioneer |
159 | Television and the Public Interest (Newton N. Minow) |
163 | Qu'arrive-t-il à la presse écrite ? L'abécédaire de la crise |
164 | World Press Trends 2014 (WAN-IFRA) |
164 | Rapport sur les aides à la presse |
165 | Last Call - The end of the printed newspaper |
167 | Welcome to The Big Roundtable |
168 | Tim Pool: The Journalism Revolution |
169 | Newscoop |
169 | Citizen Desk (a newsroom dashboard for community reporting) |
169 | 75+ tools for investigative journalists |
170 | The Mozilla Story |
171 | Welcome to Knight Foundation |
171 | Searchlights and Sunglasses1 |
171 | Le coup de pub d'Amazon (traduction de Amazon to deliver by drone? Don't believe the hype) |
171 | Amazon to deliver by drone? Don't believe the hype |
173 | Qu'est-ce qu'être journaliste aujourd'hui ? |
174 | Un article (Distribuons l'aide à la presse directement aux journalistes!) |
175 | YouTubers are taking control of their own destiny |
176 | Wattpad |
177 | Online Video 2013 (Pew Research Center) |
177 | Charlie Changes |
177 | Charlie is cool like |
178 | #6secfilms |
179 | From 'Oliver Twist' to 'Game of Thrones': Six serials and how they've deepened the art of storytelling |
181 | Hollywood & Vines |
181 | Move On |
181 | Lux Aurumque (Virtual Choir) |
181 | Sleep (Virtual Choir) |
181 | Water night (Virtual Choir) |
181 | Fly to paradise (Virtual Choir) |
181 | If It Doesn’t Spread, It’s Dead (Henry Jenkins) |
182 | Conférence (Cloud Filmmaking Tiffany Shlain) |
184 | The Most Pirated Movies of 2013 — And Why Piracy Isn’t Hurting the Box Office |
185 | Is Piracy Helping Game of Thrones? |
186 | What is the Pirate Organization ? |
190 | Les soutiens à la production cinématographique et audiovisuelle : des changements nécessaires |
190 | Un an dans l’enfer de la comédie française |
191 | Le financement d’un genre en mal de définition |
192 | Has Hollywood lost his way |
193 | Baromètre 2011 Création TV |
193 | Baromètre 2012 Création TV |
193 | Baromètre 2013 Création TV |
193 | Baromètre 2014 Création TV |
193 | Fiction française – Le défi de l’écriture et du développement (rapport de la Mission Chevalier de 2011) |
194 | Rapport annuel de la Guilde des Scénaristes |
194 | Etats des lieux du documentaire (SCAM) |
195 | Bilan 2013 du Marché de la musique enregistrée |
197 | Baromètre 2014 Création TV |
197 | Etats des lieux du documentaire (SCAM) |
197 | Original Digital Video Consumer Study (IAB / GFK) |
198 | Panorama des industries culturelles et créatives |
201 | HBO, when the small screen has big ambitions for its series |
202 | Tessa Ross talk |
202 | 15 dogmes pour la production (de fictions – chaîne Danoise DR) |
203 | Dishonest advertising |
203 | The Fault in our Stars (bande-annonce) |
207 | Surveillance as a Business Model |
208 | Story of stuff |
209 | La France au miroir du “Bon Coin” |
210 | Why brands should pay attention to collaborative consumption |
210 | LEGO: Everything is NOT awesome |
211 | Buy my Volvo |
212 | Valour (Vanhawks) |
213 | Travailler plus pour gagner rien ? Les créatifs contre le crowdsourcing |
214 | School Scrabble Program |
215 | Project Drive-In: Help Honda Save an American Icon |
219 | The Epic Split |
219 | Icons (The Sunday Times) |
220 | Stay Together (Skype) |
220 | NorthLandz (Sony) |
221 | Nikon Symphony |
222 | Pleated Jeans |
223 | The Decline and Fall of Product Placement |
224 | Casino - Et si les compétitions entre agences étaient en train de changer de nature ? |
224 | Il est urgent de revoir le système de rémunération des agences médias |
224 | 5 reasons why brands are cutting out agencies |
228 | A Royal Hangover |
230 | Et maintenant Google lit vos factures |
231 | How Facial Coding Will Help Marketers Better Understand Consumers Neuromarketing |
231 | nViso 3D Facial Imaging - Emotion Video Analytics |
233 | Grâce à vos données, on peut tout savoir de vous : voyez par vous-même |
234 | Sur Internet, vous êtes les sujets de centaines d’expériences |
235 | Giving Viewers What They Want |
235 | Your E-book is Reading You |
236 | Le contrecoup le plus négatif de la guerre au partage et son véritable objectif |
239 | L'enfant et les écrans |
240 | How healthy behaviour supports children’s wellbeing |
240 | A magazine is an iPad that does not work |
240 | Project Wild Thing |
241 | Changing Education Paradigms |
241 | How schools kill creativity |
241 | Clay Shirky Sees Media and Education on the Brink |
241 | Stop stealing dreams (Seth Godin) |
241 | Rendez-nous nos rêves (Seth Godin) |
242 | Generation Like (documentaire) |
244 | Vie privée et Facebook: pourquoi je ne poste rien de mes enfants sur le web |
245 | Your brain on video games (Daphne Bavelier) |
245 | Program or be Programmed: Ten Commands for a Digital Age |
245 | Is Code the Most Important Language in the World? |
246 | What Most Schools Don't Teach |
246 | CodeNow |
250 | Le cinéma est politique |
250 | Jeu vidéo : le futur du soft power ? |
251 | Farmageddon – The Unseen War on American Family Farms |
252 | Because of Them, We Can |
253 | Animation for a cause |
253 | Thought Bubbles |
253 | Fondation Creative Visions |
254 | son parcours (SideWays) |
255 | Real Films, Real Impact |
255 | Documentary Impact: Social Change Through Storytelling |
255 | son blog (Media Impact – Center for Media and Social Impact) |
255 | Games for Change Case Studies |
257 | Happy (documentaire – BA) |
257 | Cyber-Seniors (documentaire – BA) |
257 | The Shift (documentaire – BA) |
259 | Connecting (documentaire entier) |
259 | Connecting : makers (documentaire entier) |
260 | Four principles for the open world (Don Tapscott) |
261 | Amazing starlings murmuration |
261 | entretien accordé à Télérama (Jeremy Rifkin) |
262 | Humanity in the Machine - What Comes After Greed? : (Brian David Johnson) |
271 | BlogTalkRadio |
275 | How My Reddit Post Became A New York Times Best-Seller |
276 | Independent Film as an Attractive Asset Class |
278 | TPB AFK: The Pirate Bay Away From Keyboard (documentaire entier) |
280 | The clues to a great story (Andrew Stanton) |
280 | How to build a fictional world (Kate Messner) |
280 | Crowdfunding for Film Handbook |
283 | August, The Playbook |
284 | Source Filmmaker |
286 | Flattr |
287 | Patreon |
287 | VHX |
287 | Happy (documentaire – BA) |
287 | Stand with me (documentaire – BA) |
287 | I AM (documentaire – BA) |
288 | The Cosmonaut |
289 | Use our code for your web (The Cosmonaut) : lien désactivé par les créateurs depuis la publication du livre |
292 | Mix (Create Together) |
298 | Me and the pirates are tight... |
299 | A statement from Louis C.K. |
299 | Another Statement From Louis C.K. |
300 | le texte dans son intégralité (Steven O'Brien) |
301 | Introduction to BitTorrent Bundle |
302 | BitTorrent Bundle for Publishers |
302 | It’s Time to Rewrite the Future of the Entertainment Industry |
303 | Creative Commons Kiwi |
303 | The future is open |
304 | la vidéo annonçant l’événement (Nordic Creative Commons film festival) |
304 | Spreading the love : l'article n'est plus accessible depuis la publication du livre |
305 | United to Build Meaningful Media Ecosystems |
308 | Travel with style |
309 | Videodiary: Pepephone (The Cosmonaut) |